BMW’s The Hire: 8 Short Films

Back in 2001 or so..

bmwlogoBMW did these short films with Big-ass names directing, with a young Clive Owen, they were practically adverts, but done using fiction, which I’ve always felt ‘is’ the best way to sell an idea (or a car, evidently). I may’ve seen a couple of them at the cinema, bundled with the adverts, but I’m not 100% sure, does seem familiar.

This hit my radar again as BMW have recently announced that they are coming back for a new batch of BMW Films, which sounds jolly good to me. Made me think to go check out the old batch, which incidentally I found on YouTube but NOT on the bmwfilms site. I also read up a little about them, only to discover, Luc Besson has said on record that The Transporter series was inspired by this set of films. HA!

Not that much of a stretch really, they probably got a good sponsorship deal too. What’s interesting is that they tried refueling that franchise only recently (without Statham) & it failed rather miserably from what I hear. [I’ve yet to watch it.]

    Food for thought:

  • Did BMW in a way have a hand in making Clive Owen and also Jason Statham a bankable Hollywood star? Note, prior to this both boys were pretty much grounded in the U.K. bar a couple of exceptions.
  • For these rather simple genre-pieces, are short films as well as bite-size web content more palatable to the newer generation?

Meanwhile as we await the new series, here are the old ones, in order.
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Azazel’s ‘Fallen’ Narrative

Fallen (1998)

– iMDB Rating: 7.0/10

Denzel Washington John Hobbes
John Goodman Jonesy
Donald Sutherland Lt. Stanton
Embeth Davidtz Gretta Milano

Directed by: Gregory Hoblit
Written by: Nicholas Kazan (written by)
Full PDF Screenplay: Courtesy of


I was seeking a film that had skipped my radar at the time of it’s heyday that I could count on to be a decent read. Well, everybody loves Denzel, right? Okay, so I chose this quite irrationally, but I hadn’t seen it & the IMDb score made it a safe bet.

I read it and it is truly gripping. There isn’t a single page in it that doesn’t leave you with a need to know what happens next, the way a thriller should be. That’s the one main issue I discover on un-produced films and drafts that need a good re-write. If I got paid for every unnecessary monologue I have read where folks are sitting around and go into long driveling sentences, where a one-liner would suffice, I’d be filthy rich. Back on point Fallen has a big fat ‘zero’.

Here’s a scene that I think says plenty about good writing. There’s a clear distinction in characters, it shows friendly office banter, while staying on point with an ongoing investigation, moving it forward to the next clue, the next scene. Three quarters of page 46, just under a minute of footage, zero wastage.


Any more on Muskavich?


Only his pizza.


(passing by)

Hitting your area of expertise, huh, Jonesy?


(turns on Lou)

Look man. Pizza is the staff of life. Without pizza and other fine Italian foods, there is no happiness, okay?

(turns back to Hobbes)

There was one slice left. Deep dish: Garlic, Linguisa and pineapple. An unusual combo, but Gina’s over in Oak Park has it as a #17. Plus there was nothing in Muskavich’s stomach, so it was the killers eats.


You’re saying the killer might be from Oak Park?

I did after my read watch the film too and it translates pretty much as it is on the page. The only small departures were unimportant. How does one decide what is unimportant? Hmmm.

Disclaimer: If you haven’t either seen the film or read the screenplay, and want to avoid spoilers you should probably stop right here. Below I’m about to outline practically everything that happens in the film.

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